@ every parent in the world: yes your kid is special because every child is special but they are not specialer than every other child so please be normal about them
Some parents have done what I can only describe as fandomize their child where they’ve taken the child and altered it in their mind to make a cooler version that fits their specific interests, and now sometimes I have to remind them of the canon material.
For those of you who don’t know, I’m a youth theater director and teacher. Every audition season is a personal ordeal.
Target audience reached
EXACTLY
riley - she/they/any - blank blogs will get blocked on sight
“average cat owner spends 3 years in prison” factoid actualy just statistical error. average owner spends 0 years in prison. Miette’s mother, who kicked her body like the football and went to jail for One Thousand Years is an outlier adn should not have been counted
Petition to introduce the trope of cuddle pollen. Like sex pollen but way more wholesome. Imagine your touch starved fave getting all the cuddles.
Do you have any references for centaur foals? It's really hard to find any references that's not adults
Yea! Enjoy a dump of all my centaur babies!
They’re mostly a bit older drawings but I think they still hold up haha and I don’t think many people draw them cause they can be a little funky- what with the chunky little bodies on big ol spidery legs 😅 But I still think they’re cute 💜
And a lot of my drawings of the bitties are in slings, as that’s how I built in infant care with an L-shaped infant 😂
and of course, some goofy little baby Sunny doodles <3
I feel like I need to tell everyone how brilliantly the Globe incorporated a deaf Gildenstern into the 2018 Hamlet and then force all of you to watch it
ok, so Gildenstern is played by a deaf actor, Nadia Nadarajah. he* signs all his lines, and either Rosencratz interprets for him, or the person he’s talking to says something that makes it obvious what he just said, depending. how each character reacts to Gildenstern is completely in-character and often hilarious
- Claudius and Gertrude are intensely awkward around Gildenstern. they obviously don’t know BSL so they just gesture emphatically but aimlessly when they talk.
- Hamlet, who of course is friends with R&G, *does* know BSL. he starts off by signing fluently whenever he’s talking to them but, as his distrust of them grows, he signs less and less until he’s only signing the equivalent of “fuck off” whenever he talks
- Polonius just shouts really loud whenever he tries to talk to Gildenstern
it’s all brilliant and adds another layer of humor and pathos and you should all watch it
*casting at the Globe right now is gender neutral so I’m just going to use the character’s pronouns
guys I know I’m wittering on about this but the thing I want to emphasize is that there is no tokenism here. they didn’t just shove a deaf actor into a speaking role so they could pat themselves on the back about how progressive they are. they went to the effort of fully integrating Nadarajah’s deafness into the story so that it not only fit organically within the narrative but actually enhanced it. watching Hamlet’s signing disintegrate as his trust in R&G disintegrates adds a depth to that storyline I’ve never seen before. Claudius has exactly the awkwardness of someone who thinks of himself as a good person and therefore thinks he’s being kind and generous with his accommodations for disability, but has never even once actually asked a disabled person what they need, which is so on-point for his character it hurts.
I know Michelle Terry gets a lot of hate mail for her policy of race-, gender-, and disability-blind casting, but fuck all those people. long may that policy continue.
the glenda jackson production of king lear on broadway did something similar with the Duke of Cornwall, and it was actually the best part of the play, imo. because when Cornwall was speaking to Lear or to the Court, he had a sign language interpreter to speak the actual literal words aloud, but when he was talking to and conspiring with Regan, his wife, they were just signing back and forth with no translation for the audience, and it emphasized the intimacy between the two even as they turn against literally everyone else in the play, which was fantastic.
and the best part of it was, by the second half of the play, you were so used to it, that you didn’t even blink anymore when watching him and listening to the spoken words come from the interpreter - you just watched the actor playing Cornwall and let the words come from the other guy, but the guy kind of fades into the background. it didn’t hurt that the actor for Cornwall was one of the tallest on stage, and had bright red hair - it was easy to watch him, instead of his interpreter.
which is why it was so shocking and so perfect when the interpreter is the one who kills him.
See, they folded the character of the servant who kills Cornwall into the person of this character who had been such a non-entity that you almost forgot he was on stage - until you realize, no, this is another person, and he’s been here, watching all this the whole time, and he finally gets to the breaking point where he can’t stand by and translate anymore, he has to do something to stop the cruelty he’s seeing, and it’s not just a random guy who comes in for the scene and sees them blinding Gloucester, it’s the man whose been by his side for the entire play, the man who was his voice who finally has a line of his own. who finally speaks on his own behalf to say “no.”
and then, of course, he gets killed, but Cornwall dies in the same scene so it’s not like they need to get a new translator or anything. but it was the most fucking brilliant choice i’ve ever seen re: casting in a Shakespearean production, and the rest of the play pales in my memory in comparison.
In this house we only loosely acknowledge current MCU canon. In my mind it’s still around 2014-15. Winter Soldier just came out. We have such high hopes for the in-depth character arcs of our main babes, not to be turned into cash cows milked dry of any soul. The Avengers still all have their own floors in the tower and Bucky is coming to live in as Steeb’s emo plus-one.
i still think ‘endgame’ was a stupid-ass name for a movie on it’s own, but the fact more projects than i can be bothered to count have come out since?? that makes it even stupider
If you follow Selmers to the poetry society meeting in Night In The Woods, this is her poem.
I loved it and the themes of the game, and wanted to use it as practice to see if i can control the way readers ‘hear’ the words through images.
Guys, they’re selling autism at walmart now
i remember when we were in typography II and also editorial design I we got shown the fucking text hierarchy image
and I’m seeing more and more people not grasping this concept when editing so i thought that if for some reason you haven’t seen this image i probably shouldn’t gatekeep it. Text hierarchy is literally essential knowledge to make yourself understood. Try to have an order in your text, investigate, test things, show your edits to people and ask “hey what order are you reading this on?” because the golden rule is that your design should be easy to interpret most of the time.
some older cut-paper pieces from my first year if college. Found my old binder from the class and wanted to get good quality scans of these b/c i still like how they look all these years later :)
gimme the soup boys and free my soul , i wanna eat soup out a little bowl , and drift away…













